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X-WR-CALNAME:Enluis Montes Olivar - Conductor / Director de Orquestas
X-ORIGINAL-URL:https://enluismontesolivar.com
X-WR-CALDESC:Events for Enluis Montes Olivar - Conductor / Director de Orquestas
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TZID:UTC
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DTSTART:20250101T000000
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BEGIN:VEVENT
DTSTART;TZID=UTC:20260604T200000
DTEND;TZID=UTC:20260604T220000
DTSTAMP:20260525T191722
CREATED:20260521T135452Z
LAST-MODIFIED:20260521T135452Z
UID:13117-1780603200-1780610400@enluismontesolivar.com
SUMMARY:As cover conductor\, LA Phil: Gustavo Dudamel: Celebrating the Musicians of the LA Phil
DESCRIPTION:Program\n\n\n\n\nProgram Note – Gustavo Dudamel: Celebrating the Musicians of the LA Phil\n\n\n\n\n\n\nROSSINI\n\n\n\n\nOverture to William Tell\n\n\n\n\n\n\nROSSINI\n\n\n\n\nRondo: Allegretto from Concerto for Bassoon and Orchestra\n\n\n\n\n\n\nMARCELLO\n\n\n\n\nAdagio from Concerto for Violin\, Piano and String Orchestra\n\n\n\n\n\n\nPAGANINI \,\narr. Denis BOURIAKOV\n\n\n\n\nLa Campanella\n\n\n\n\n\n\nMOZART\n\n\n\n\nRomance: Andante cantabile from Horn Concerto No. 4 in E-flat major\, K. 495\n\n\n\n\n\n\nMENDELSSOHN\n\n\n\n\nAdagio from Concerto for Violin\, Piano\, and String Orchestra\n\n\n\n\n\n\nTCHAIKOVSKY\n\n\n\n\nPezzo capriccioso\n\n\n\n\n\n\nGLIÈRE\n\n\n\n\nAllegro giocoso from Concerto for Harp and Orchestra\n\n\n\n\n\n\nIntermission\n\n\n\n\n\n\nPhilip GLASS\n\n\n\n\nMovement III from Concerto Fantasy for Two Timpanists and Orchestra\n\n\n\n\n\n\nSHAW\n\n\n\n\nConcerto for Clarinet\n\n\n\n\n\n\nROTA\n\n\n\n\nLento\, ben rimato from Concerto for Trombone and Orchestra in C\n\n\n\n\n\n\nAndrés MARTÍN\n\n\n\n\nAllegro Obsesivo from Concerto No. 1 for Contrabass and Orchestra\n\n\n\n\n\n\nJohn WILLIAMS\n\n\n\n\nBravo Gustavo!\nworld premiere\nLA Phil commission\n\n\n\n\n\n\nGabriela ORTIZ\n\n\n\n\nMujer Arena\nworld premiere\nLA Phil commission\nwith generous support from Dr. William M. Duxler\n\nAbout this Performance\nFor 17 years\, the musicians of the Los Angeles Philharmonic have been close collaborators with Gustavo Dudamel in countless performances. To celebrate Gustavo’s tenure as Music & Artistic Director\, principal musicians of the LA Phil take center stage for an evening of symphonic favorites. \nRossini’s rousing William Tell Overture sets the evening in motion at full steam ahead\, a nod to the adventurous\, artistic heights the orchestra has scaled with Dudamel. Then comes a range of “classic” showpieces for bassoon\, oboe\, horn\, flute\, violin\, piano\, cello\, and harp. \nAfter intermission\, all eyes and ears are on percussion\, clarinet\, trombone\, bass\, and trumpet during a showcase of contemporary music. The program’s final works are world-premiere pieces by two dear friends of the LA Phil\, John Williams and Gabriela Ortiz. Williams’ Bravo Gustavo! takes its name from the commemoration of Dudamel’s first 10 years with the LA Phil\, highlighting the valiant energy of the trumpet section\, while Ortiz’s Mujer Arena celebrates the entire ensemble. \nConcerts in the Thursday 2 subscription series are generously supported by The Otis Booth Foundation. \nThis performance is generously supported by The Hernandez-Stark Family. \nThe appearance of Gustavo Dudamel is generously supported by the Walt and Lilly Disney Foundation. \nThe appearance of Christopher Hanulik\, Principal Bass\, Diane Disney Miller and Ron Miller Chair\, is generously supported by Jenny Miller Goff. \nThe appearance of Emmanuel Ceysson\, Principal Harp\, Ann Ronus Chair\, is generously supported by Lori Greene Gordon.
URL:https://enluismontesolivar.com/event/as-cover-conductor-la-phil-gustavo-dudamel-celebrating-the-musicians-of-the-la-phil/
LOCATION:Walt Disney Concert Hall\, 111 South Grand Ave\, Los Angeles\, CA\, 90012\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260605T200000
DTEND;TZID=UTC:20260605T220000
DTSTAMP:20260525T191722
CREATED:20260521T135824Z
LAST-MODIFIED:20260521T135824Z
UID:13119-1780689600-1780696800@enluismontesolivar.com
SUMMARY:As cover conductor\, LA Phil: Gustavo Dudamel: Celebrating 17 years | LA Phil
DESCRIPTION:About this Performance\nGustavo Dudamel honors his Venezuelan and American identities\, presiding over two poetry-inspired choral symphonic works in his final Walt Disney Concert Hall program as Music & Artistic Director. At times hushed and mysterious and at others pulsating and ecstatic\, Harmonium was a breakthrough for John Adams’ compositional voice. Borrowing texts from Emily Dickinson and John Donne\, Adams explores time\, harmony\, and rhythm\, unraveling gentle meditations into an awe-inspiring swirl of sound. \nIn the second half\, Dudamel guides Cantata Criolla\, another breakthrough work that is not just definitive of composer Antonio Estévez’ voice but an emerging national Venezuelan style. The cantata follows Florentino\, a troubadour on the Venezuelan plains who challenges the devil to a battle of wit and song. Estévez’s cross-cutting rhythms and musical textures follow the contest from ominous peril to triumph. Driven by his belief that music can build bridges between cultures\, Dudamel selected the cantata as one of the first pieces he wanted to bring to Los Angeles in his inaugural season as Music Director\, and it fittingly sets the stage for Gustavo’s finale concert of the 2025/26 season. \nA note from Gustavo Dudamel\nThe great American composer John Adams was named an LA Phil Creative Chair in 2009\, the same year that I became Music Director\, and we’ve shared a rich and rewarding relationship in the 17 seasons since. It has been a privilege and an honor to premiere many of his incredible works\, but this program presents one of his earlier masterpieces. John has said that a successful performance of Harmonium should feel like traveling at different speeds\, but “nonetheless always moving forward over vast stretches of imaginary terrain.” The same might be said of the past 17 years. \nWe end the program with Antonio Estévez’s Cantata Criolla. This magnificent oratorio was one of the first works I brought to Los Angeles. A beloved staple of Venezuelan concert halls\, it depicts a duel in song between the llanero Florentino and the Devil. I grew up with this music\, and it is a joy to perform it once again in this hall with these amazing musicians. —Gustavo Dudamel \nThis performance is generously supported by The Hernandez-Stark Family and the Frank Gehry Fund for Creativity \n  \nProgram\n\n\n\n\nJohn ADAMS\n\n\n\n\nHarmonium\n\n\n\n\n\n\nIntermission\n\n\n\n\n\n\nESTÉVEZ\n\n\n\n\nCantata Criolla\n\n\nArtists\n\nLos Angeles Philharmonic\nGustavo Dudamel\, conductor\nAlberto Arvelo\, director\nAnthony León\, tenor\nGustavo Castillo\, baritone\nMembers of YOLA (Youth Orchestra Los Angeles)\nJade Alfaro\nPablo Fernández\nAlondra Herrera Lopez\nCamila Higueros\nCatalina Mihok\nGreyson Session\nLos Angeles Master Chorale\nGrant Gershon\, Artistic Director\nJenny Wong\, Associate Artistic Director
URL:https://enluismontesolivar.com/event/as-cover-conductor-la-phil-gustavo-dudamel-celebrating-17-years-la-phil/
LOCATION:Walt Disney Concert Hall\, 111 South Grand Ave\, Los Angeles\, CA\, 90012\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260606T200000
DTEND;TZID=UTC:20260606T220000
DTSTAMP:20260525T191722
CREATED:20260521T140007Z
LAST-MODIFIED:20260521T140007Z
UID:13121-1780776000-1780783200@enluismontesolivar.com
SUMMARY:As cover conductor\, LA Phil: Gustavo Dudamel: Celebrating 17 years | LA Phil
DESCRIPTION:Gustavo Dudamel honors his Venezuelan and American identities\, presiding over two poetry-inspired choral symphonic works in his final Walt Disney Concert Hall program as Music & Artistic Director. At times hushed and mysterious and at others pulsating and ecstatic\, Harmonium was a breakthrough for John Adams’ compositional voice. Borrowing texts from Emily Dickinson and John Donne\, Adams explores time\, harmony\, and rhythm\, unraveling gentle meditations into an awe-inspiring swirl of sound. \nIn the second half\, Dudamel guides Cantata Criolla\, another breakthrough work that is not just definitive of composer Antonio Estévez’ voice but an emerging national Venezuelan style. The cantata follows Florentino\, a troubadour on the Venezuelan plains who challenges the devil to a battle of wit and song. Estévez’s cross-cutting rhythms and musical textures follow the contest from ominous peril to triumph. Driven by his belief that music can build bridges between cultures\, Dudamel selected the cantata as one of the first pieces he wanted to bring to Los Angeles in his inaugural season as Music Director\, and it fittingly sets the stage for Gustavo’s finale concert of the 2025/26 season. \nA note from Gustavo Dudamel\nThe great American composer John Adams was named an LA Phil Creative Chair in 2009\, the same year that I became Music Director\, and we’ve shared a rich and rewarding relationship in the 17 seasons since. It has been a privilege and an honor to premiere many of his incredible works\, but this program presents one of his earlier masterpieces. John has said that a successful performance of Harmonium should feel like traveling at different speeds\, but “nonetheless always moving forward over vast stretches of imaginary terrain.” The same might be said of the past 17 years. \nWe end the program with Antonio Estévez’s Cantata Criolla. This magnificent oratorio was one of the first works I brought to Los Angeles. A beloved staple of Venezuelan concert halls\, it depicts a duel in song between the llanero Florentino and the Devil. I grew up with this music\, and it is a joy to perform it once again in this hall with these amazing musicians. —Gustavo Dudamel \nThis performance is generously supported by The Hernandez-Stark Family and the Frank Gehry Fund for Creativity \n  \nProgram\n\n\n\n\nJohn ADAMS\n\n\n\n\nHarmonium\n\n\n\n\n\n\nIntermission\n\n\n\n\n\n\nESTÉVEZ\n\n\n\n\nCantata Criolla\n\n\nArtists\n\nLos Angeles Philharmonic\nGustavo Dudamel\, conductor\nAlberto Arvelo\, director\nAnthony León\, tenor\nGustavo Castillo\, baritone\nMembers of YOLA (Youth Orchestra Los Angeles)\nJade Alfaro\nPablo Fernández\nAlondra Herrera Lopez\nCamila Higueros\nCatalina Mihok\nGreyson Session\nLos Angeles Master Chorale\nGrant Gershon\, Artistic Director\nJenny Wong\, Associate Artistic Director
URL:https://enluismontesolivar.com/event/as-cover-conductor-la-phil-gustavo-dudamel-celebrating-17-years-la-phil-2/
LOCATION:Walt Disney Concert Hall\, 111 South Grand Ave\, Los Angeles\, CA\, 90012\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260607T140000
DTEND;TZID=UTC:20260607T160000
DTSTAMP:20260525T191722
CREATED:20260521T140134Z
LAST-MODIFIED:20260521T140134Z
UID:13123-1780840800-1780848000@enluismontesolivar.com
SUMMARY:As cover conductor\, LA Phil: Gustavo Dudamel: Celebrating 17 years | LA Phil
DESCRIPTION:Gustavo Dudamel honors his Venezuelan and American identities\, presiding over two poetry-inspired choral symphonic works in his final Walt Disney Concert Hall program as Music & Artistic Director. At times hushed and mysterious and at others pulsating and ecstatic\, Harmonium was a breakthrough for John Adams’ compositional voice. Borrowing texts from Emily Dickinson and John Donne\, Adams explores time\, harmony\, and rhythm\, unraveling gentle meditations into an awe-inspiring swirl of sound. \nIn the second half\, Dudamel guides Cantata Criolla\, another breakthrough work that is not just definitive of composer Antonio Estévez’ voice but an emerging national Venezuelan style. The cantata follows Florentino\, a troubadour on the Venezuelan plains who challenges the devil to a battle of wit and song. Estévez’s cross-cutting rhythms and musical textures follow the contest from ominous peril to triumph. Driven by his belief that music can build bridges between cultures\, Dudamel selected the cantata as one of the first pieces he wanted to bring to Los Angeles in his inaugural season as Music Director\, and it fittingly sets the stage for Gustavo’s finale concert of the 2025/26 season. \nA note from Gustavo Dudamel\nThe great American composer John Adams was named an LA Phil Creative Chair in 2009\, the same year that I became Music Director\, and we’ve shared a rich and rewarding relationship in the 17 seasons since. It has been a privilege and an honor to premiere many of his incredible works\, but this program presents one of his earlier masterpieces. John has said that a successful performance of Harmonium should feel like traveling at different speeds\, but “nonetheless always moving forward over vast stretches of imaginary terrain.” The same might be said of the past 17 years. \nWe end the program with Antonio Estévez’s Cantata Criolla. This magnificent oratorio was one of the first works I brought to Los Angeles. A beloved staple of Venezuelan concert halls\, it depicts a duel in song between the llanero Florentino and the Devil. I grew up with this music\, and it is a joy to perform it once again in this hall with these amazing musicians. —Gustavo Dudamel \nThis performance is generously supported by The Hernandez-Stark Family and the Frank Gehry Fund for Creativity \n  \nProgram\n\n\n\n\nJohn ADAMS\n\n\n\n\nHarmonium\n\n\n\n\n\n\nIntermission\n\n\n\n\n\n\nESTÉVEZ\n\n\n\n\nCantata Criolla\n\n\nArtists\n\nLos Angeles Philharmonic\nGustavo Dudamel\, conductor\nAlberto Arvelo\, director\nAnthony León\, tenor\nGustavo Castillo\, baritone\nMembers of YOLA (Youth Orchestra Los Angeles)\nJade Alfaro\nPablo Fernández\nAlondra Herrera Lopez\nCamila Higueros\nCatalina Mihok\nGreyson Session\nLos Angeles Master Chorale\nGrant Gershon\, Artistic Director\nJenny Wong\, Associate Artistic Director
URL:https://enluismontesolivar.com/event/as-cover-conductor-la-phil-gustavo-dudamel-celebrating-17-years-la-phil-3/
LOCATION:Walt Disney Concert Hall\, 111 South Grand Ave\, Los Angeles\, CA\, 90012\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260619T170000
DTEND;TZID=UTC:20260619T183000
DTSTAMP:20260525T191722
CREATED:20260521T141253Z
LAST-MODIFIED:20260521T142622Z
UID:13125-1781888400-1781893800@enluismontesolivar.com
SUMMARY:Enluis Montes Olivar conducts the Juan Jose Landaeta Symphony Orchestra
DESCRIPTION:About this performance \nEnluis Montes Olivar reunites with the Juan Jose Landaeta Symphony Orchestra to collaborate on a program filled with symphonic poems and American stories. \nPROGRAM: \nGeorge Gershwin\, Cuban Overture\nLeonard Bernstein\, Symphonic Dances from West Side Story \nIntermedio \nOttorino Respighi\, La Fontana di Roma\nRichard Strauss\, Till Eulenspiegel \nArtist \nJuan Jose Landaeta Symphony Orchestra\nEnluis Montes Olivar\, conductor
URL:https://enluismontesolivar.com/event/enluis-montes-olivar-conducts-the-juan-jose-landaeta-symphony-orchestra/
LOCATION:Centro Nacional de Accion Social por la Musica\, Boulevard Amador Bendayán\, diagonal a la casa del artista. Quebrada Honda.\, Caracas\, Venezuela
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260711T170000
DTEND;TZID=UTC:20260711T183000
DTSTAMP:20260525T191722
CREATED:20260521T142538Z
LAST-MODIFIED:20260521T142538Z
UID:13127-1783789200-1783794600@enluismontesolivar.com
SUMMARY:Enluis Montes Olivar conducts the Lobgesang Symphony
DESCRIPTION:To celebrate the 20th anniversary of the Simón Bolívar National Choir\, the Simón Bolívar Chamber Orchestra is joining forces with Venezuela’s leading choral ensemble to perform one of the musical gems of the choral repertoire\, the Lobgesang Symphony\, under the baton of Enluis Montes Olivar. \nPROGRAM \nA capella set of 20 min. TBD \nIntermission. \nFelix Mendelssohn Bartholdy\, Lobgesang\, Symphony Cantata on Words from the Holy Scriptures (Symphony no. 2) op. 52\, MWV A 18 \nArtist: \nSimon Bolivar Chamber Orchestra\nSimon Bolivar National Choir\nEnluis Montes Olivar\, conductor\nSoloist\, TBD\nLourdes Sanchez\, choirmaster.
URL:https://enluismontesolivar.com/event/enluis-montes-olivar-conducts-the-lobgesang-symphony/
LOCATION:Centro Nacional de Accion Social por la Musica\, Boulevard Amador Bendayán\, diagonal a la casa del artista. Quebrada Honda.\, Caracas\, Venezuela
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260814T160000
DTEND;TZID=UTC:20260814T180000
DTSTAMP:20260525T191722
CREATED:20260206T145222Z
LAST-MODIFIED:20260206T145222Z
UID:13099-1786723200-1786730400@enluismontesolivar.com
SUMMARY:Debut: Enluis Montes Olivar conducts the Bogota Philharmonic: Sueños poéticos\, deseos y añoranza
DESCRIPTION:Enluis Montes Olivar makes his debut in Colombia with one of the continent’s most historic and distinguished orchestras: the Bogota Philharmonic Orchestra\, with a program commemorating the 200th anniversary of the death of Carl Maria von Weber. \nBogotá Philharmonic\nEnluis Montes Olivar\, conductor\nDaniel Díaz Padilla\, piano\nVenue: TBD \nProgram: \nCarl Maria von Weber (1786-1826)\nDer Freischütz overture \nSerguéi Rajmáninov (1873 – 1943) \nPiano Concerto No. 1 \nPiotr Ilich Tchaikovski (1840 – 1893) \nSymphony No. 5
URL:https://enluismontesolivar.com/event/debut-enluis-montes-olivar-conducts-the-bogota-philharmonic-suenos-poeticos-deseos-y-anoranza/
LOCATION:NY
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260815T160000
DTEND;TZID=UTC:20260815T180000
DTSTAMP:20260525T191722
CREATED:20260206T145355Z
LAST-MODIFIED:20260206T145355Z
UID:13101-1786809600-1786816800@enluismontesolivar.com
SUMMARY:Debut: Enluis Montes Olivar conducts the Bogota Philharmonic: Sueños poéticos\, deseos y añoranza
DESCRIPTION:Enluis Montes Olivar makes his debut in Colombia with one of the continent’s most historic and distinguished orchestras: the Bogota Philharmonic Orchestra\, with a program commemorating the 200th anniversary of the death of Carl Maria von Weber. \nBogotá Philharmonic\nEnluis Montes Olivar\, conductor\nDaniel Díaz Padilla\, piano\nVenue: TBD \nProgram: \nCarl Maria von Weber (1786-1826)\nDer Freischütz overture \nSerguéi Rajmáninov (1873 – 1943) \nPiano Concerto No. 1 \nPiotr Ilich Tchaikovski (1840 – 1893) \nSymphony No. 5
URL:https://enluismontesolivar.com/event/debut-enluis-montes-olivar-conducts-the-bogota-philharmonic-suenos-poeticos-deseos-y-anoranza-2/
LOCATION:NY
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260830T193000
DTEND;TZID=UTC:20260830T213000
DTSTAMP:20260525T191722
CREATED:20260301T185228Z
LAST-MODIFIED:20260301T185228Z
UID:13110-1788118200-1788125400@enluismontesolivar.com
SUMMARY:Tchaikovsky Spectacular: Enluis Montes Olivar conducts San Diego Symphony
DESCRIPTION:ABOUT THE CONCERT \n\n\nEnluis Montes Olivar\, conductor\nJoyce Yang\, piano\nSan Diego Symphony Orchestra \nTCHAIKOVSKY: Capriccio italien\, Op. 45\nTCHAIKOVSKY: Piano Concerto No. 1 in B-flat Major\, Op. 23\nTCHAIKOVSKY: Francesca da Rimini\, Op. 32\nTCHAIKOVSKY: 1812 Overture\, Op. 49 \nAn audience favorite returns to The Rady Shell at Jacobs Park with an evening devoted to the passionate\, melodic genius of Pyotr Ilyich Tchaikovsky. Conductor Enluis Montes Olivarleads the San Diego Symphony in a thrilling program featuring the exuberant Capriccio italien\, the sweeping Piano Concerto No. 1 with Grammy-nominated pianist Joyce Yang\, the dramatic tone poem Francesca da Rimini\, and the crowd-pleasing 1812 Overture. The night concludes with spectacular pyrotechnics illuminating the bay\, amplifying the excitement of this unforgettable celebration of Tchaikovsky’s music. Bold melodies\, virtuosic fireworks\, and a dazzling waterfront setting make this a can’t-miss summer tradition. \nPlease Note: This concert features pyrotechnics.
URL:https://enluismontesolivar.com/event/tchaikovsky-spectacular-enluis-montes-olivar-conducts-san-diego-symphony/
LOCATION:The Rady Shell at Jacobs Park\, 222 Marina Park Way\, San Diego\, CA\, 92101\, United States
END:VEVENT
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